1942. World War II. The Joker is re-imagined as Jack, The Grin. He's an underworld figure that has come upon a vital Nazi communique. He's hidden it and is in the market to sell it to the highest bidder. The Nazi's want him for it. The Allies want him for it. The Bat has been assigned to work with The Clock and The Owl. We're jumping right in, into the story as it unfolds. Apparently, Ted Grant, The Cat is dead. The Bat typically works alone. Trust issues. Charles McNider, The Owl (we might recognize him in another reality as Dr. Mid-Nite), is quite the ladies' man, or maybe, a bird dog. He jokes that he's compensating for his blindness. Rex Tyler, The Clock, is the strong man. Not so much with finesse or subtlety, like The Bat. The trio follow The Grin's trail to Africa. Until reconnecting with The Bat, Jack has been suffering from amnesia.
"Chaz" contacts singer Dinah Drake, The Canary for information on where to find Jack. They do. The three manage to get their hands on the important information. It could turn the tide of the war!
Dan Jolley story is definitely for mature readers. This is not an all-ages book. Which is the only downfall. It has everything else. Jack is written very violent and blood thirsty. The reality really doesn't seem to matter; The Joker is written as incredibly violent. It's almost gratuitous. More and more, Batman comes off as deranged and unhinged, rather than focused and determined. Tony Harris on art with Ray Snyder and Matt Hollingsworth just adds to the sinister bent of the story. Ken Lopez's lettering is enjoyable for The Bat's narration and the prompts that move the story along and the pacing.
Your mileage may vary, based on the dark grisly tone.
JSA: The Liberty File 1 earns four stars.
No comments:
Post a Comment