As Seen On TV! The Adventures of Supergirl 1 Review

Rocketing from the flatscreen on your living room wall back into four-color print, The Maid of Steel! The Adventures of Supergirl with an awesome photo realistic cover by Cat Staggs! Melissa Benoist in mid-flight!

Disclaimer: I believe I've seen a handful of Season One episodes of Supergirl. It's set on an alternate Earth in the Arrowverse. I enjoyed what I saw and thought I would pick up the companion comic book, as I did with the '90's The Flash and Smallville.

This is definitely a different version of Kara. She seems quite fun and light-hearted.

"This Is My Life" opens with a slugfest between Supergirl and Rampage at a National City Sharks game. Sterling Gates manages to provide a brief and brisk recap of Kara's origin from Krypton to Earth. While Gates' story is all super-hero fare, the core is sisterhood. Rampage's relationship with her sister compared with Kara and Alex's relationship.

Bengal's art is all comic book. The characters from the CBS series are the same, however there is really no attempt to use the live action likenesses. It's an interesting direction to go in. 

What makes the issue enjoyable is the story has heart. Kara develops sympathy for Rampage as an individual, not just an alien adversary. Gates' take on the character provides some redeeming qualities.

The Adventures of Supergirl, "Based on the Hit CBS Series" earns three stars.

The Super-Genius from Space!

 

In March 2026, Action Comics 242, from July 1958 was re-released as a facsimile reprint. It featured the debut of Brainiac and the Bottle City of Kandor. Maybe in advance of the 2027 Superman sequel, "Man of Tomorrow" featuring Brainiac as the main adversary.

The story is very succinct and to the point. Clark and Lois are covering a story as passengers on a fantastic new rocket! When confronted by Brainiac's ship, Clark suits up as an astronaut and escapes back to Earth to protect his secret identity! So Silver Age! Brainiac quickly captures Earth's major cities, including Metropolis, intending to repopulate his home planet. This was before Brainiac was reimagined as Kryptonian, and developed as the planet's version of Google, created by Jor-El. Superman feigns defeat to sneak back and subvert Brainiac. That's when he discovers Kandor and an old college classmate of his father's! using his super-wits, The Man of Steel outsmarts his adversary, actually catching him napping! It's an interesting out, leaving room for an opening for Brainiac to return for another face-off. Short and sweet, the story doesn't waste any details, moving deftly and smoothly. The pacing is a bit brisk, but it works. Obviously.

But wait, there's more!

Tommy Tomorrow, Space Traffic Cop of the future isa fun, wacky, sci-fi story. A Boring weekend of traffic control in space in the future!

Then there's Congo Bill, before he was Congorilla. Confronted by an alien octopod from Venus! The alien forcefully enlists Bill and Janu into assisting in his plan of world conquest! It takes some ingenuity to discover how to overcome the alien menace, yet Bill does. With the alien's dying breath, it reveals that there are FIVE MORE similar aliens somewhere on Earth working out their own plan! Nana-nana-boo-boo to you Bill!

Zoinks!

Definitely a Classic!

This facsimile issue of Action Comics earns four stars! 

The Girl of Steel! Action Comics 252 Facsimile Reprint Review!

 

In December 2025, DC Comics reprinted Action Comics 252, May 1959, featuring the first appearance of Supergirl and Metallo! The issue was previously reprinted at the turn of the century as a Millenium Edition issue.

The classic issue features an equally classic cover: Supergirl zooming out of her Kryptonian rocket announcing to Superman and the world who and what she is! Definitely a memorable cover by the legendary Curt Swan and Stan Kaye.

Robert Bernstein and Al Plastino present the debut of Metallo! He's murderous reporter, John Corbin! And, apparently, a reckless driver! Taking a curve to sharp, he flips his car! If not for Professor Vale passing by driven by his housekeeper Edith, Metallo might never have come to be! Humanitarian Vale saves Corbin and continues his treacherous ways. His new metal body requires a Uranium or Kryptonite heart to power him! Coincidentally, he's also a near identical twin to The Man of Steel! Only the fickle finger of fate is able to stop him!

Bernstein and Howard Sherman present another Congo Bill/Congorilla adventure! Congorilla must rescue Bill, the Comandant and his troops at an oasis commandeered by highwaymen bent on pathway piracy!

Finally, Otto Binder and Al Plastino introduce The Maid of Might, "The Supergirl from Krypton"! The story hinges heavily on coincidence and serendipity. It's all very convenient and somewhat predictable. The nitpick I have with this is that DC Comics decided to kill off the Kents. Granted, Supergirl gets her own, individual area. Yet, had the Kents lived, Supergirl could have lived and gone to school in Smallville. Maybe that would have been even more redundant, but it would have avoided what might be considered "super-dickery": Superman shunting his cousin off to an orphanage in Midvale far away from Smallville. It just seems more complicated than less, especially for the newest addition to The Superman Family. Yes, it would have seemed creepy for Superman to have his young "cousin" living with him in Metropolis. Maybe it would have been too revealing to have another superhuman alien in Smallville. Is that where they grow them?

For what it is, Action Comics 252, featuring the famous first appearances of Supergirl and Metallo is fine. It could have been more or better. It is what it is for the time.

Action Comics 252 earns two stars.     

    

Starring John Cusack as Starman Jack Knight! A 60th Birthday Salute!

 

Actor John Cusack is 60 today. I usually enjoy the movies he stars in. Do I agree with his political views? No. Actually, it's more, "hell-to-the-no". That doesn't change that I enjoy the stories he's a part of.

There was a time when I could have seen him as Jack Knight, the sone of DC Comics' Ted Knight - not to be confused with actor Ted Knight, narrator of Super Friends and best known as Ted Baxter on The Mary Tyler Moore Show. DC's Ted Knight was the Golden-Age Starman.

Jack made his first appearance in the final issue of Zero Hour and headlined the Starman comic that ran from 1994 to 2001. Written by James Robinson, with art by Tony Harris. The series was highly acclaimed. I was nominated for the Eisner for the first story arc "Sins of the Father" and won an Eisner for the "Sand and Stars" storyline. It was also nominated for "Best Continuing Series" of 1997.

At its core, Starman is about the father and son relationship between Jack and Ted Knight. The series opens with The Mist's son and daughter exacting their revenge on the Knight family. David Knight, Jack's brother is shot and killed. Opal is laid siege. Jack considers running. Instead, he rises to the occasion and turns back the tide. Afterward, Jack agrees to fight crime as needed as Starman, as long as Ted focuses his energies on his science, invention and innovation.

Robinson, with Harris and later Peter Snejbjerg carved out a corner of the DC Universe with Opal City as a focal point. Story lines were mixed with "Tales of Times Past" and "Talking With David" interludes, all driving the story forward toward its conclusion with issue 80.

Jack Knight was created by James Robinson and Tony Harris. Jack makes very rare appearances outside of Starman. Geoff Johns, David Goyer and James Robinson used Jack as part of a Justice Society of America relaunch. Following the conclusion of his series, Jack quietly shuffles off into a "happily ever after". There were some possible rumblings of a falling out between Robinson and DC Comics which ended any possible future of Jack Knight, or any other projects involving Robinson.

A live action series was in development following Smallville, at the same time as Birds of Prey. Due to the lackluster performance of Birds of Prey, a Starman live action series was on indefinite hold.

Stargirl, focusing on Courtney Whitmore, played by Brec Bassinger debuted on the DC Universe streaming platform and the CW Network as part of the Arrowverse. What's interesting is Courtney was created as an homage to Geoff Johns' sister. James Robinson was involved in the live action series. Sylvester Pemberton, the one-time Star-Spangled Kid, was called Starman for the series.

Although time has passed and Cusack has probably aged out of the character, it would have been nice to see him in the role...

A fan can dream.

My Problem With Guy

 

People are stupid. People are jerks. That's really the bottom line.

When did we stop looking up?

Heroes should have some kind of virtue. Heroes should be role models. Yes, I know, that's kind of an outdated, antiquated concept, but why are we celebrating jackasses?

You can argue that Guy Gardener is a jerk, BUT at least he's OUR jerk. He's on OUR side.

I beg to differ. We live in a world where citizens want to DEFUND the police. Citizens are protesting ICE doing an ugly, thankless job of separating citizens from illegal aliens. You can call them "undocumented" all you want, but if you try to get into a concert or a sports game without a ticket, you're not an "un-ticketed audience member". There is a disrespect that borders on lawlessness and chaos. The debate rages due to bad apples. Guy Gardner is a bad apple. His gimmick only works in comic books and maybe stretched thinly in live action. I like Nathan Fillion- I really do - however, his portrayal of Guy Gardner is troubling mostly because it's so spot on. My gut tells me that if Guy Gardner were a real person, things would not stop at "one-punch" from Batman. One of his fellow heroes might just kill him and hide the body.

There's a theory that if Gilligan's Island were real, the other six castaways would actually KILL Gilligan. After a while, they'd get tired of him ruining every hope and chance of rescue. They'd kill him and maybe eat him.

My gut tells me that there is a very fine line between Guy Gardner and Sinestro. 

Sinestro is the former Green Lantern that trained Hal Jordan. Sinestro was arrogant. Sinestro was a jerk. Eventually, he got tired of following. He got tired of being told. Sinestro eventually wanted to do things HIS own way. So, he found the one weakness of the Green Lanterns. The conceit is that the Green Lanterns' ONE weakness is yellow. So, the Sinestro Corps - imagine that: he named the corps after himself! - bears the YELLOW power ring of FEAR. At one time, both Batman and The Scarecrow were pawns of the Sinestro Corps for their ability to inspire fear.

If Guy Gardner were real, he'd be the cop caught choking someone. He'd be the one caught with his knee on someone's throat. He just strikes me as reckless in his arrogance.

Heroes can be accidentally reckless. It does happen. A hero shouldn't be arrogant and reckless. I'm looking for some quality that separates Guy from Sinestro and I'm not seeing it. Are you?

Unfortunately, Guy is part of a pack of anti-heroes. Or characters that are supposed to be "bad ass", which is supposed to be cool. Unfortunately, Guy Gardner is just a dumbass jackass with a Moe Howard haircut and way too much power. My gut tells me that, like Gilligan, other super-heroes would get tired of his ****, or the Guardians on OA would get tired of his ****, and either he'd start his own Corps, like Sinestro, or he'd be a dumbass jackass without a power ring.

Heroes should always inspire a person to look up. To be someone and something better. Guy's an arrogant, cocky, oafish, reckless, selfish, loud-mouthed bully. He's not "bad ass". Still, I am looking for redeeming qualities. Not seeing any. I know that he had a relationship with Ice before her passing.

What Guy needs is some sort of re-direction. If you're good at what you do, nobody really focuses or pays attention to your personality or attitude. You might be able to get away with being a jackass if you're actually smart and good at what you do. Like Sherlock Holmes.

Guy Gardner may just be dumb. But he's very close to being an evil super-villain. That's not the kind of role model anyone needs.

That's just one fan's opinion. And you're entitled to it!      

One Small Leap for a Man... The Unlimited Access 2 Review

 

Access and the Legion of Super-Heroes have somehow crossed over into the X-Men's dystopian future "Days of Future Past", where the Sentinels have captured and imprisoned all mutants. Magneto and the X-Men wear inhibitor collars to keep them from using their mutant abilities. Wolverine has managed to remain free and runs supplies to the captives. Brainiac 5 manages to "McGuyver" an inhibitor disrupter. With that, the two teams are able to overpower a pair of Sentinels. Magneto agrees with Access that the Legionnaires must return to their own place and time period. As the leave Ferro Lad and Colossus take down a Sentinel. Another destroys the inhibitor disrupter! Magneto is paralyzed. Fleeing, Wolverine remembers one thing - the inhibitor collars can be disrupted!

Access bounces Classic Daredevil to Gotham City where Axel is almost run over by the Batmobile. Returning Daredevil to New York, Axel then tumbles through one time period after another witnessing different pairings and team-ups. Notable among these is the Justice Society and The Invaders! He then encounters Morty, the homeless man from the alley. Turns out, "Morty" is really Axel!

Morty provides an "info dump" telling Axel that he can't stay in one place very long in order to keep the Marvel and DC universes separate! Morty flees just as a Boom Tube opens dumping Darkseid's horde from Apokalips. The Avengers arrive to turn back the horde. They are joined by the Justice League, who arrive to rescue Axel. Just when the combined forces seem to be working, Amazing Grace turns the teams against one another, with Access caught in the middle!

Pat Olliffe and Al Williamson really carry Kesel's amazing story. So many characters, so many different places and timelines. Olliffe is such eye-candy. His take on the different teams is really enjoyable.

"Let's Do the Time Warp Again" Unlimited Access 2 earns five stars.    

Access Back in Action! The Unlimited Access 1 Review!

Pat Oliffe's cover is very cool! Access is the keeper of the Amalgam Universe. "Inside" Access, too, is the gateway between the DC and Marvel Universes as well! The cover shows that within Access is The Amazing Spider-Man, The Incredible Hulk, Green Lantern Hal Jordan, Wonder Woman and The Juggernaut!

The unique and fresh spin for Unlimited Access, is not just space. The two universes, Marvel and DC coming together and teaming up against mutual foes, but bouncing around - or, quantum leaping - through different time periods of each universe! What starts in the present, with Spider-Man and Wonder Woman facing Mantis and The Juggernaut, bounces to Coast City four years after Barry Allen died and Hal Jordan facing The Hulk! Next, Access encounters Jonah Hex and Two-Gun Kid! After sending Jonah Hex off into the future to end up as Hex, possibly, Access ends up with The Legion of Super-Heroes facing The Sentinels!

Karl Kesel, Pat Olliffe and Al Williamson make an enjoyable team for an enjoyable story. The time travel element keeps things fresh!

Bouncing around significant time periods in each universe is a brilliant idea. Okay, maybe not so much original, as Access is now following a somewhat typical story trope. Kesel, Olliffe and Williamson manage to keep things interesting. It's nice that they manage to bounce Axel's relationship troubles off Peter and MJ. There's another laugh when MJ calls out Spider-Man flirting with Wonder Woman.

It's a fun, exciting, thrilling story. "No Time Like the Present" Unlimited Access earns five stars.   
 

Putting the Genie Back in the Bottle, The DC/Marvel All Access 4 Review

 

Wow. That cover. A horrified Access can only gape in abject terror as the X-Men battle the Justice League! It's a return match between Storm and Wonder Woman! That expression on Access' face is just... Wow. 

Access is referee when the teams collide. Superman demands that the X-Men let The Batman go. It's all a tense standstill, until Batman reignites things with Bishop. Then it all cuts loose. Team versus team. Access and Dr. Strange in the middle. Access blinks to keep Ming out of harm's way. 

Then it all comes out. Strange has been taken over by Dr. Strangefate who wants to bring back the Amalgam Universe! He has banished the real Strange, bouncing him from one place to another to keep him from being discovered and rescued. Strangefate manages to Amalgamate the X-Men and Justice League! Access must find a way to return Stephen Strange and restore the separate universes!

It turns out to be a tricky process. Tricky, but successful. 

In the end, Axel ends up with Caitlin Fitzgerald.

DC/Marvel All Access 4, "Savior" wraps it all up for three stars.

Scuffle in the Sanctorum! The DC/Marvel All Access 3 Review

After besting Two-Face, Jubilee and Robin (Tim Drake) are confronted by The Scorpion! Batman arrives and puts the beatdown on the Spider-villain. 

Using a bit of deductive reasoning, Access feels that answers to the mysterious Crossings may lie with Dr. Strange. It takes some doing, however, he manages to convince The Batman to accompany him to New York and Strange's Sanctum Sanctorum.

There, Access and The Batman engage in accusations and finger-pointing. Jubilee returns with the X-Men. Not a Classic line-up, mind you, Cyclops, Iceman, Jean Grey, Bishop and Cannonball. They fight with Batman. As The Dark Knight collects himself, Access himself returns with the Justice League! 

Guice and Rubinstein are back at it on Ron Marz's story. Lee Loughridge on colors; Digital Chameleon on separations. It's a pretty standard issue where hero's face a misunderstanding and end up arguing and fighting until they reach a lightbulb moment of clarity.

That moment may come in the next issue!

What is enjoyable is the diversity and somewhat unpredictability. The Batman and Dr. Strange? X-Men versus Justice League? The Batman spies The Black Cat?

This is what fans long for.

DC/Marvel All Access 3 earns three stars.

Young Heroes in Love The DC/Marvel All Access 2 Review

 

Ah, young love.

That Guice cover of swingers, Robin and Jubilee is just so sweet, innocent and cute. Whatever could possibly stand in the way of these two young heroes in love?

Having set the separate universes right again, Axel Asher enjoys a carriage ride in the park with his Marvel Universe girlfriend, Ming. Until Jubilee and Generation X show up. Jubilee has tracked Axel down in order to plead with him to use his Access powers for a chance to meet Robin (Tim Drake) one more time. They didn't get a chance to say goodbye after the events of DC Versus Marvel/Marvel Versus DC. Jubilee has a crush on The Boy Wonder and really wants to see him again. In return, she'll make it up to Axel by fixing things with Ming. Jealous Ming.

Against everything he should be about, the whole keeping the two universes separate, Access agrees to cross Jubilee over to hook-up with Robin. What could possibly go wrong?

Access is overpowered by Two-Face! Using the same gimmick that Robin used to beat Jubilee, the pair outsmart and overpower Dent. After that, they're confronted by The Scorpion!

Guice gets support from Joe Rubinstein on finishes and Lee Loughridge on colors. The look is a lot less over-the-top, so to speak. It all looks smooth. Even with a wonky premise, the story plays out pretty well. It's a fun romp.

DC/Marvel All Access earns three stars.    

Between a Rock and a Hard Place The DC/Marvel: All Access 1 Review

 

Ordinarily, I'm a fan of "Butch" Guice. I enjoyed his art for Wally West as The Flash after Crisis on Infinite Earths. I liked his work on Ruse. I'm somewhat familiar with his work on Justice League and "The Death of Superman" storyline...

There's just something about his art on DC/Marvel: All Access that just feels like a square peg in a round hole. Maybe it starts with the cover. Guice has Access in a "Hero or Villain?", quite menacing pose. Access looks angry! He looks unfriendly! Like perhaps, Monarch - when the former Hawk, of Hawk and Dove went rogue and sent the DC Universe reeling through a "Crisis in Time"! Surrounded by DC and Marvel Comics' heavy hitters, Access is leading the charge! It's a cool cover, but somewhat off-putting. Yes, just who is this new character, Access? What powers does he wield? What control? What does he have to do with the best, brightest and finest of two universes?

That question can only be answered by reading, nay, investing, in the story!

Axel Asher, Access, is late AGAIN meeting his Marvel Universe girlfriend, Ming. This is kind of the standard hero trope. Axel, like Peter Parker and Barry Allen is the Everyman, the good guy off doing good things, on his own, saving the Universe and THAT's getting in the way of his social life. He can't commit because he's already committed to The Good Fight. Guice carries Ron Marz's story. The seizure that Axel has looks a lot more painful than Spider-Sense. Messy, too. Axel senses that Venom has crossed over to Metropolis and has to run off to fix that. One would think that Superman could handle Venom, however, one would guess amiss. Only the combined teamwork of Superman AND Spider-Man, is Venom overcome. And while in Metropolis, Access manages to rescue a fair damsel in distress. One Caitlin Fitzgerald, "Fitz" for short. 

After Superman, Spider-Man and Access stop Venom, Axel returns the webslinger and his archfoe to the Marvel Universe. Where, Doctor Stephen Strange notices... "it begins!"

Venom is an interesting choice. Not an "A-List" bad guy. Also interesting is the ongoing cliche of the hero late for a date, and relationship issues. Guice's art is decent, except that it just seems over-the-top, especially showing Access reacting to a Crossing.

DC/Marvel All Access earns three stars. 

Down The Rabbit Hole, Part DEUX!

Still reading the original four-issue mini-series DC Versus Marvel/Marvel Versus DC. Waiting for further facsimile reprints of JLA/Avengers.

It starts with The Brothers. Created specifically for this crossover. The Brothers are the origin of the Multiverse. One is a DC Brother, the other a Marvel. The spin is that DC and Marvel have pretty similar characters: Aquaman and Namor, the Sub-Mariner; Green Arrow and Hawkeye; The Atom and Ant-Man and the Wasp. There are a number of similarities between the two companies. So much so that this should be a fun and enjoyable story.

And it is.

However, the bottom line for a business is to sell or move product. A publishing company publishes. A Comic book company sells comics. Unfortunately, since 1985's Crisis on Infinite Earths, the genie that was let out of the bottle is the "line-wide crossover", a story so big and epic that it involves every title the company produces. It's a compulsion to buy every title to enjoy or fully appreciate the entire story. The only downside is that story becomes thin, hype becomes heavy all to push or move more product.

This may sound cynical or mercenary. Maybe it is. Comic books are a unique entertainment experience. Films have a certain amount of time to capture attention. So there has to be advance promotion and hype to put bodies in seats at the movie theater. Television series have to capture attention almost immediately. Radio is instant. So, comic books have to capture attention and drive return, appointment reading.

The bottom line really is the bottom line. It's really all about sales. Fans can argue art and story until the end of time. Name any artist or writer, and that creator has to be able to sell product.

What's somewhat thin is how quickly and decisively the individual competitions in DC Versus Marvel/Marvel Versus DC turn out to be. The only battle that seems to rage on is between Batman and Captain America. And then, Axel Asher comes along as Access, and "saves" the multiverse by amalgamating two universes into one. Batman and Wolverine become Dark Claw. Superman and Captain America become Super Soldier. Your mileage may vary on the quality of these hybrids. Some are just for sh-... grins and giggles. Lobo the Duck...

If I'm allowed a nitpick, or maybe a sour aftertaste, it's that the third issue of the series spawns a line of Amalgam Comics featuring these hybrid characters. This might have worked when comics were a dime, twelve cents or a quarter. Thirty-five cents might have been pushing it. In 1996, these books are $1.95. There's the subjective question of pause. Who has that kind of disposable income? Who can juggle and justify that kind spending against rent and utilities, compounded by other financial pulls on purse strings? Further, what's the "rerun" value? Is the story just as disposable as the income? Or will it hold up for re-reading and return investment. Some stories hold up pretty well to the test of time.

How does a "homeless man" holding the multiverse together through a cardboard box in an alley hold up over time? Every individual battle starts with, "I don't know you, but I have no choice but to fight you to save my reality! Otherwise, I think we might be besties!" and ends with, "I'm sorry I had to kick your butt, But. It. Was. The. ONLY. WAY!"... except for the mostly off-panel fight between Wolverine and Lobo. They really wanted to damage each other...

Your mileage may vary, but my somewhat sour grapes is that the whole thing was just a hyped-up gimmick. An interesting story. Somewhat a riff on Crisis and Secret Wars, but still a gimmick to sell more comics. I was sorely tempted to go all in and buy all the Amalgam Comics. I just bought the Dark Claw issue. A couple copies. One as a collector item and one to read and re-read. So, yeah, I bought into the hype. But only so far...

That's just my opinion as a fan, and you're entitled to it.

  

Down The Rabbit Hole, Part One

Reading the facsimile reprint of the first issue of JLA/Avengers sent me down the rabbit-hole of digging out and re-reading the 1996 DC Versus Marvel/Marvel Versus DC.

Legend has it that the inter-company acrimony stems from fierce competition. What it comes down to is sharing the slices of The Pie. I'm not sure who said it, Joe Quesada or Dan Didio - and I don't mean to demonize either one - but someone is on record as being quoted as saying, "Why do an inter-company crossover where DC and Marvel have to share the profits and proceeds", when we can enjoy the wealth of our labors on our own characters? When Spider-Man and Superman team up, the split is 50/50. Same with Batman and The Hulk and New Teen Titans and Uncanny X-Men.

What's interesting about DC Versus Marvel is that it's the entire line... and it's decided on fan votes.

Didn't anybody learn anything from the 1988 fan-vote Death of Jason Todd? At that time, no one really thought that the fans would kill off Batman's second Robin, Jason Todd. However, they did.

The unfortunate outcome of DC Versus Marvel is that Marvel's characters either tied or bested DC. There's the off-panel battle between Lobo and Wolverine, where Wolverine comes out on top. There's the near stalemate between Batman and Captain America, with serendipity favoring Batman.

Admittedly, I have to read a little more closely, but there's the budding infatuation between Robin Tim Drake and Jubilee that hampers that face-off.

One fan reviewer put it that it's hard to please every individual fan with an outcome, so it may seem that the actual story just sort of stays flat and bland. A Contest of Champions that really has no decisive winner. Yes, there were winners and losers. Storm beat Wonder Woman. Flash beat Quicksilver. Thor beat Captain (SHAZAM!) Marvel. Superman beat The Hulk.

Aside from the battles, it all feels so much like Crisis on Infinite Earths. Realities and worlds hang in the balance for the winners and losers.

My only other gripe, if I'm allowed to is that we get one-offs. We get Ben Reilly. Smart Hulk. Wally West and Kyle Rayner. Maybe mullet Superman. 

I know, it's a minor nitpick. However, just as with JLA/Avengers, we're not really seeing a "Classic" line-up. We're not seeing "Classic" versions of the characters. Further, why not create a single, shared reality where everybody knows everybody? Clark Kent knows Peter Parker - Peter Parker knows Jimmy Olsen. Get passed the familiarity and get right down to a story that affects all the characters.

That seems to be the flaw I find in DC Versus Marvel.

But, that's just one fan's opinion - and you're entitled to it. 

 

 

There's a Kitchen Sink in Here Somewhere! JLA/Avengers 1 Review

 

That is such a beautiful George Perez cover.

The story opens with a prologue featuring Krona searching the multiverse for answers. Krona inadvertently created the multiverse trying to see its origin and beginnings. The viewer he used exploded shattering the universe into a multiverse. As punishment, the Guardians of the Universe on OA transformed him into pure energy and cast him out. He has returned, and in his wake Polechamus and Qward are destroyed along with the realities surrounding them. Ultimately, Krona faces The Grandmaster. 

Later, Terminus shows up in Metropolis. After a pitched battle, the Justice League manage to defeat him. The Spectre (Hal Jordan) whisks the beaten Terminus from their reality. Meanwhile, in New York, The Avengers are battling Starro. She-Hulk, Yellow Jacket, Triathlon, Quicksilver and Thor are among those taken over by Starro's "face hugger" offspring. Carol Danvers manages to free Pietro Maximoff from a face hugger. He provides the breakthrough the team needs. Vision puts a face hugger on Scarlet Witch and through it, she unleashes chaos magic that forces Starro to flee screaming in agony.

Back at their moonbase Watchtower, the Justice League are confronted by The Watcher and The Grandmaster. En Dwi Gast tells the League that they must gather talisman to ward off Krona and save their reality. Wally West uses the Speed Force to send the team to The Avengers reality where they are able to collect the Ultimate Nullifier! Following their encounter with The Avengers, Earth's Mightiest Heroes - with The Atom eavesdropping - encounter Metron, who lists the same talisman that they must gather to save their reality!

The Avengers travel to the Justice League reality, for a return encounter. The Atom follows Metron to where he confers with The Grandmaster...

It almost goes without saying that George Perez's art is spectacular and fabulous. He is legendary from the pages of both teams, having developed his trademark "Patented Perez Rubble". That's how detailed his art is. down to the very rubble. He is aided and abetted by Tom Smith on Colors & Separations, with Comicraft handling lettering. That's amazing as each character has their own lettering voice.

Busiek's story is EPIC! It's COSMIC! It's GRAND and SPRAWLING! It's not just a Justice League or Avengers story. It's not just bringing these two teams together - in conflict, then, possibly in harmony - it spans both the DC and Marvel Multiverses. Before the teams appear, we get to see Arkon and Thundra as well as the Weaponers of Qward and the Crime Syndicate. While Krona is the major bad guy of the story, it also involves The Grandmaster, Metron and The Watcher. There's so much to this story, so much detail, so much thrown in, there's bound to be a kitchen sink somewhere as well. This isn't a light, disposable, forgettable story. This. One. Plays. For. KEEPS!

One the one hand, that's awesome! It's a spectacle of a story. On the other hand, it's hype to the hilt, and possibly teetering on the edge of being bloated and overblown. It's starts with both Superman and Thor chomping, spouting and just plain yelling. It's possible that there's some minor mind-control there, or maybe just a negative reaction to the opposite realities.

This is no small adventure. 

Perez's art is awesome as ever. Busiek's story is huge. It borders on the, "it's not the size of the fish that counts..." it's how you tell this story.

JLA/Avengers 1 earns five stars. 

Archie's T.V. Laugh-Out 79 Review

Archie has been following right along with DC Comics and Marvel Comics with facsimile reprints.

The latest Archie Comics facsimile reprint is Archie's T.V. Laugh-Out 79, from September 1980. The original cover is something of a Jaws tie-in. Archie builds a sand shark at the beach. It's so realistic that Jughead decides to move his snack cooler just a little farther away! It's a hilarious gag. Unusual that it's a two-part, or two-panel gag. Usually, Archie covers feature a single image with just the set-up and the punch line.

What's even more interesting is the Jaws tie-in. The original Jaws film came out in 1975, based on the 1974 Peter Benchley novel. The sequel, Jaws 2 was released in 1978. Jaws 3-D was released in 1983. This 1980 issue falls between Jaws 2 and Jaws 3-D. Perhaps to capitalize on the original cover gag, two variant covers were released to tie into the Jaws theme. Both feature a movie-poster quality. The foil variant features Veronica swimming, with the Jaws shark below.

They are both cool covers.

The first story, Words and Music, finds Reggie up to his usual self-centered, self-promoting antics. He wants to move to a better venue. He thinks Betty and her tambourine are holding him... er, The Archies back. He recommends firing her. He strong-arms playing one of his songs for the club owner checking them out. Half-way through Reggie's song, the club owner uses the restroom! During a break, Betty writes some lyrics. The Archies back her up. The club owner is impressed and signs The Archies - spotlighting Betty! The laugh is on Reggie!

Next up, Alex tries to show up Alan by cooking up something better than pizza. He makes a mess of his Chef's kitchen! The laugh is on Alex, when his chef chooses pizza in the end! The only problem with the Josie and the Pussycats story is that Alex Cabot looks and acts like Reggie Mantle's twin! There really is no way to tell the two apart! It's only when Alex gives his chef the boot from the kitchen that he's different. Even the whole gag of making a mess of the kitchen trying to show up Alan - a one-off himself of Archie - seems like a total Reggie move.

Another fun story is Li'l Archie and Jughead using a goat to mow the lawn when the family mower dies.

The last story finds Sabrina's aunts with a cursed Egyptian statue. Touching it might spread the curse! Harvey scoffs, until one of the aunts uses magic to convince him.

All in all, it's solid, light-hearted comedy from the Archie gang. 

Archie's T.V. Laugh-Out 79, facsimile reprint, earns five stars. For the extra effort on variant covers. Your mileage on that may vary.  

They Put a Spell on You!

Although thrilling and action-packed, Buckler and Giordano's cover for All-Star Squadron 4 is somewhat flat and lackluster. Inexplicably showing the heroes fighting amongst themselves! In-fighting among the greatest heroes of all time! "A Battle You Never Expected!", reads a caption. "The Justice Society of America vs. the All-Star Squadron".

The question Roy Thomas, Rich Buckler and Len Wein address in this issue is this: with heavy hitters such as Superman, Dr. Fate, Green Lantern, Johnny Thunder and his Thunderbolt, The Spectre and Wonder Woman, why wasn't the war over before it even started? Captain America punched Hitler! Chewbacca punched Hitler!

The answer comes in the form of The Dragon King. He has arrived at a secret base in the South Pacific. Hitler has his Spear of Destiny, the legendary and fabled spear that pierced the Savior's side. Apparently, Tojo also has a mystical talisman: the Holy Grail! The jeweled stone cup that the Savior used at The Last Supper before the crucifixion. The power of those talisman holds great magic.

That magic is amplified in the hands of the Axis to warp the minds of the heroes so that they do not directly attack Germany and Japan! Which is a convenient plot device to explain why Superman doesn't just simply crush the Axis powers. Superheroes, like regular folk, fight side-by-side to overcome evil.

The art by Buckler and Ordway continues to shine. Gafford's colors are awesome as is the lettering by Costanza.

It's such a simple out to say that magic keeps the heavy hitters from crushing the Axis, yet it sets the tone and direction of the book. Characters like The Atom, Dr. Mid-Night, Johnny Quick, Liberty Belle and Robotman might be able to invade Europe or Asia, which would make for a dramatic, gripping adventure. The Big Guns maybe not so much.

All Star Squadron 4 earns four stars.    
 

Like Sands in an Hourglass...

Another outstanding cover! Buckler and Giordano capturing the All-Stars fighting Solomon Grundy, while Degaton stands by commanding!

This issue is all about dialogue. Degaton recaps everything that happened in the previous issue. It's fun to bask and enjoy his endless monologuing, while following the distinct voices of Wotan, Professor Zodiac, Grundy and The Shining Knight. The spouting between all of these characters is just a word soup. Then there's the slang of the other All-Stars mopping up the zombie Japanese Zeroes.

As the heroes manage to turn the tide, the bad guys start turning and feeding on each other. Wotan and Zodiac abandon Degaton to get their own revenge on their adversaries. Eventually, Grundy does the same. 

The action comes together somewhat smoothly. A casual remark means that Hawkman, Johnny Quick and Robotman were able to follow markers to catch up to the rest of the group. 

Zodiac's dropped vial conveniently falls on The Spectre, allowing him to free the rest of the captive heroes. Some details feel slightly rushed or maybe brushed over. However, Degaton's house of cards does come crumbling down rather quickly when it's clear his plan has fallen completely apart.

It's interesting that once everything is unraveled, everyone forgets Degaton. What all this amounts to is an explanation as to why the Justice Society and Golden-Age superheroes could not prevent that attack on Pearl Harbor. It's a very convenient plot device. Still, a fantastic launch to the All-Star Squadron. Standing firm as patriots and fighting for freedom. One of the reasons why colorful costumed heroes came about in the first place. To inspire.

All-Star Squadron 3 earns four stars. 

Hello, Exposition, My Old Friend... Or, He's Monologuing! The All-Star Squadron 2 Review!

 

Joe Kubert brings the Sgt. Rock, "Our Heroes at War" vibe with the cover to All-Star Squadron 2! A scene leaping from inside, shows Robotman, The Atom, Johnny Quick, Liberty Belle, Hakman and Plastic Man ripping apart one Japanese Zero from an aerial squadron over the ocean! 

Roy Thomas and Rich Buckler's story picks up from the next moment from the end of the previous issue. It is the morning of December 7th, 1941, "... a day that will live in infamy!" The historic Japanese attack on Pearl Harbor. The Atom and Hawkman, founding members of the Justice Society are leaving FDR and the White House with Dr. Mid-Nite, Johnny Quick, Liberty Belle, Plastic Man and Robotman. They're being sent off to the West Coast to prevent further Japanese attacks.

This issue is actually jam-packed! 

Leaving the White House, the All-Stars come across looters taking advantage of the day's confusion and hysteria! Boom! Stopped!

On their flight west, Hawkman suggests that they reveal their identities to one another in order to build trust and camaraderie. Over the next four pages - one panel per hero - each one reveals the briefest of Secret Origins!

And then, Degaton monologues! He waxes egotistical and reveals his whole plan to Sir Justin and Danette Reilly!

The story is a veritable dump of information! Degaton catches everyone up on his many plots, leading to this current plan to divide and conquer! If he alone isn't a pure, devious genius, he's assembled a crew fitting and worthy: Grundy, Professor Zodiac, Sky Pirate and Wotan! Degaton even gets a Fact File page! This is Degaton's third attempt at world domination. 

Len Wein is to be complimented for guiding Roy Thomas, Rich Buckler and Jerry Ordway in how this issue and story unfurls. Carl Gafford provides brighter, more optimistic colors and John Costanza's lettering is less muddy and obscured. Still, newsprint is newsprint. There is an editorial page devoted to more detailed history.

While the exposition and monologuing could be a drawback, it doesn't really slow or bog down the story. It just adds to the drama and intensity. Your mileage may vary on that. There is a nationalism and patriotic vibe that seems quaint, dated and somewhat corny to modern post-Vietnam cynicism.

All Star Squadron 2 earns five stars.

Assembling the Squadron! All Star Squadron 1 Review

 

Rich Buckler's cover is just amazing. Dr. Mid-Nite, Hawkman, and The Atom pouring over photographs of Golden-Age Mystery Men. The cover question "Who Will Be the Heroes of the All-Star Squadron"? Pause for just a moment and consider... "mystery men" and "mystery women" actually posing for photographs, like Hollywood celebrities of the day! Between Hawkman and The Atom is a photograph of The Golden-Age Batman and Robin. These are not newspaper photographs. These are portraits. Posed portraits. In the foreground is a posed portrait of The Spectre. Now, granted, it is possible that a shutterbug might catch one of these colorful figures off-guard. All of the photos on the cover feature the heroes smiling at the camera. Even The Dynamic Duo seem to be caught in a pose, although whether they're smiling is hard to tell. This is going to be a fun book to read, simply because no matter what happens inside, no matter how serious, dramatic or Earth-shattering, the heroes will face it with a positive "can-do" attitude. These heroes will face the hard knocks and shrug each one off with a wink and a smile! These are not angsty, navel-gazing costumed vigilantes... except for Vigilante.

Roy Thomas' "The World on Fire!" opens with Hawkman returning to the Justice Society of America headquarters, where he runs afoul of - - Plastic Man!? A quick recap recounts Solomon Grundy overpowering The Flash, Green Lantern and Wonder Woman; Professor Zodiak capturing The World's Finest team of Batman and Robin along with Superman; Wotan capturing Dr. Fate and The Spectre; and Sky Pirate capturing Johnny Thunder and Thunderbolt along with The Sandman and Starman! Hawkman, Dr. Mid-Nite and The Atom faced and bested The Monster! On their way to Washington, Hawkman and Plastic Man encounter King Bee! They quickly best him and his winged henchman!

Elsewhere, Sir Justin, The Shining Knight and Danette Reilly are captured by Per Degaton and his crew!

All these events lead up to the Japanese attack on Pearl Harbor.

At the White House, Hawkman and Plastic Man are joined by Robotman, The Atom, Dr. Mid-Nite, Johnny Quick and Liberty Belle! They are commissioned as The All-Star Squadron and head to San Francisco to head off saboteurs and ultimately stop Degaton!

Buckler and Ordway's art is just simply Golden-Age eye-candy. On newsprint, John Costanza's lettering is somewhat muddy and blurred. Carl Gafford's coloring is top-notch. Len Wein guides creators Roy Thomas and Buckler to a thrilling, enjoyable story.

The Greatest Generation saving the world earns five stars.

Maybe Late to the Party... Thoughts on The Curious Case of Natalia Grace Season One

 

I may be a little late to the party.

The Curious Case of Natalia Grace was release in 2023. It ran for three seasons from 2023 through 2025. I'm midway through season two, Natalia Speaks, where she shares HER side of the story.

Her story is tragic, shocking and sensational. It makes for "tabloid television" the kind of gaper's block you would find on Geraldo! The Maury Povich Show, Dr. Phil, or any one of the typical daytime talk shows.

The first season is all about things like "control", "manipulation", "narrative" and "spin".

Natalia's story unfolds from her adoptive father, Michael Barnett. He comes across very articulate. Very flamboyant. The story he tells is quite vivid and detailed. Almost polished and rehearsed. It's quite possible that Michael and Kristine Barnett's version of the story may be based on the 2009 horror film "Orphan". The Barnetts adopted Natalia Grace in 2010. Season One focuses primarily on Michael Barnett and his son, Jacob, leading up to Michael's trial for the abandonment of Natalia. As Michael's grip on the "narrative" and "spin" apparently slips, and the seeming house of cards starts to collapse, he comes across more of a bitter, vindictive, whiny cry-baby. An unnecessarily foul-mouthed one at that.

My take-away from Season One is that it is not Natalia's complete story. It's only the horrific experience with the Barnetts. 

Natalia Grace was born in Ukraine to a single, low-income mother. Natalia's mother was told that she could not afford to care for Natalia properly. In Season One, she comes off as not wanting to be tracked down for any information on Natalia. Eventually, she provides DNA and critical birth information.

What's missing is any information from Gary and Dyan Ciccone. Did they decline to be interviewed? What comes across is the question of why they only had Natalia for a year after adopting her. The quick and glossy answer is that they found some behavioral issues with her. But there's several accounts that the Ciccones were trying to find a new home for her with couples that also had dwarfism, to the point that the narrative and spin is that the Ciccones were shopping her around.

Toward the end of Season One and midway through Season Two, the story comes across that Kristine Barnett may be the true villain of the story.

The sad thing is that very few people came to Natalia's help and rescue.

It's a shame that her story was negatively sensationalized and turned into trashy tabloid television.

There are a lot of noble couples and families looking to build relationships and support future generations through adoption. Hopefully this one story doesn't severely damage that.   

Stuck in The Golden Age With Dr. Fate

 

I was really excited when Pierce Brosnan was cast as Kent Nelson, also known as Dr. Fate. Defender of Order versus Chaos. Fate previously made an appearance on Smallville. Clark got to see glimpses of the Justice Society. It would be exciting to see one of the original, founding members of the Justice Society on the big screen. He was going to be working with Carter Hall, Hawkman; Atom Smasher and Cyclone!

I never really got past The Rock as Black Adam. Sure, he was portrayed as a wronged individual, looking for justice and vengeance and retribution and revenge. Which was why he crossed paths and swords with the JSA. It was just incredibly confusing that the character was split from Zachary Levi's Captain (SHAZAM!) Marvel. I'm still confused. I'm not sure I really want to know.

I didn't watch Remington Steele for Brosnan. I watched Remington Steele for Stephanie Zimablist. She was my excuse for bad grades in high school.

Brosnan's Bond was fairly enjoyable. Mom and Dad were Sean Connery fans. Mom and my sister were Roger Moore fans. Cathy, my wife, is a George Lazenby fan. Gotta respect the man that connected with Diana Rigg! I'm not sure I know any Timothy Dalton fans (He was pretty good as Prince Baron in Flash Gordon; as well as an appearance on Doctor Who, and as The Chief in Doom Patrol!)

Brosnan was my era or generation Bond. I'm not sure the material was up to his performance. Wherever the bar is set, the next mission or adventure usually has to up the ante. By Die Another Day the ante had been upped to the extreme. The hotel made entirely of ice (ICE!) was extreme... extremely redonkulous!

As an aside, one of the reasons Daniel Craig ditched a lot of the paraphernalia was due to Mike Meyers' Austin Powers parodies. Craig was quoted in some interview somewhere that Austin Powers poked so much fun at the Bond tropes - not to mention the Mel Brooks-Buck Henry Get Smart parody - that Bond had sort of become self-parody. Look closely at some of the scenes with Q, there's a bit of self-deprecating humor and parody in those scenes. Connery's Bond didn't seem to take Q seriously. neither did Brosnan. Q gave Brosnan's Bond two specialized cars. The second one had a stealth, cloaking ability, like Harry Potter's blanket.

Off and on Brosnan has made some impressive solo films. Some, hit or miss. Seraphim Falls with Liam Neeson and The Matador with Greg Kineer stand out. After The Sunset is somewhat shaky. Remember Me with Robert Pattinson is engaging. We don't have to talk about the Mama Mia! films... 

Celebrating his 73rd birthday today, Brosnan has most recently been in The Thursday Murder Club with Ben Kingsley, Helen Mirren and Celia Imrie... along with David Tenant and Jonathan Pryce.

Might be a good day to give that a spin... it just might be better... Fate.

   

A Salute to Marv Wolfman and His Half of The New Teen Titans

 

I blame Burt Ward. 

There's a whole legion of Bat-fans that grew up watching Adam West and Burt Ward as Batman and Robin. It was Burt Ward's performance as Dick Grayson, also known as Robin, The Boy Wonder that got me interested in the Teen Titans. I could have been an X-Men fan. Crimefighting sidekicks versus teenage angst and puberty. Stan Lee's Uncanny X-Men was about teenagers gaining super-powers at a certain age and living in a world that feared and hated them. Robin, Kid Flash, Aqualad, Speedy and Wonder Girl fought crime. Smiling and joking. Almost like The Amazing Spider-Man without all the teenage baggage. Don't get me wrong, teenagers have baggage. My superpower as a teenager was invisibility. I also repelled girls. I wasn't really athletic, or smart. I didn't have an award-winning personality. I didn't stand out for any reason at all. So, I accepted my lot in life as a comic book geek and reveled in it.

Instead of Uncanny X-Men, I went Teen Titans. 

Marv Wolfman turned 80 yesterday (May 13th, 2026.) He and George Perez relaunched and revived the group as The NEW Teen Titans! Aqualad was benched. Speedy made rare guest appearances. Gar Logan went from Beast Boy to Changeling. Wolfman and Perez introduced Victor Stone as Cyborg, Koriand'r as Starfire and Raven... as... er, um... Raven.

The core of the team was Dick Grayson's Robin, Wally West's Kid Flash and Donna Troy as Wonder Girl. (Side note, probably another reason I'm a Teen Titans fan is both The Penguin and Wonder Girl name drop in The Monkees' Randy Scouse Git...) Wolfman and Perez also introduced a sense of teenage angst that wasn't there in the original Teen Titans. Robin struggled against The Batman's tight reins. Kid Flash struggled with emotions and feelings for Raven and a girl from hometown Blue Valley that developed magnetic powers. Wonder Girl was an independent photographer in a relationship with an older, soon-to-be divorced gentleman. 

George Perez gets a lot of well-deserved credit for the look of The NEW Teen Titans. Marv Wolfman, along with Perez came up with the angle. Raven's father was the demon Trigon. Starfire's sister was the evil Blackfire. The team fought against a cult led by Brother Blood. They also dealt with drugs and runaways. Issues that were somewhat realistic, but still able to fit in a comic book world that could be dealt with using comic book rules and solutions.

As much credit as George Perez deserves, Marv Wolfman is a talented writer who carved out a place for NEW Teen Titans in the DC Universe.

I still blame Burt Ward for drawing my attention to his groovy team of sidekicks...  

Back-Up Feature - The Origin of the JSA; 52, Week Forty-Nine Review

 

52 may have been an attempt to ride the wave of 24. The FOX political thriller starring Keifer Sutherland was a weekly series with events that occurred in real-time. What that meant was the fifty-minute drama contained fifty-minutes of action, adventure and suspense. there were no time gaps. Typically, there's a jump, usually over the boring stuff. 24 contained no boring stuff. Every second, every moment was jam-packed with something. The series occurred over a single twenty-four-hour period. That single day was rolled out over twenty-four weeks. 52 was a single story - an EVENT! - that rolled out every Wednesday for a full year!

Week Forty-Nine, as the series winds down to its conclusion, finds the Justice Society in China trying to rescue Black Adam from captivity. When Adam finally is free, he has nothing but vengeance in mind and heart. Elsewhere, Doc Magnus unleashes his Metal Men on Chang Tzu. He's been developing a new Metal Man for the vile creature. After destroying Chang Tzu, Magnus helps Professor Morrow, creator of The Red Tornado, escape. 

Following the main story is a two-page back-up featuring an abbreviated origin of the Justice Society. Written by Mark Waid, with art by Don Kramer, inks by Michael Bair and colors by Alex Singlair, the spread highlights the landmark first superhero team, leaping out of the mists to fight Nazis and turn the tide of WWII. Later, they are summoned out of retirement by the Justice League. As time passes, the legacy of the JSA continues, with new heroes taking up the mantle and baton of the original, older heroes. The feature ends with a roll call and Essential Storylines.  It's an enjoyable piece.

Your mileage may vary on the main story of 52. The cover, posing Doc Magnus as Bond, firing Metal Men bullets is simply eye candy. It would make a great wall poster. The back-up feature on the JSA is well worth the price of admission.

From April 11th, 2007, 52: Week Forty-Nine, "Eve of Destruction" earns four stars.  

Revisionist History; Secret Origins 31, Starring The Justice Society of America Review

 

The Challenge for writer and fan Roy Thomas is putting an end to the Justice Society of America. With the landmark Crisis on Infinite Earths series, a single Earth, a single timeline and reality was written. Legend has it that some writers found it confining. I would argue that that may have been the case for Thomas and The Golden-Age portion of the DC Universe. All-Star Squadron was left without Superman, Batman, Wonder Woman, Aquaman and Green Arrow, and their associated, connecting characters. Power Girl had to be re-imagined. Robin and The Huntress were erased along with The Golden-Age versions of Batman and Catwoman. Fury had to be re-imagined. Green Arrow and Speedy were no longer members of the Seven Soldiers of Victory or Laws Legionnaires. The Justice Society was trapped in a Ragnarok loop to preserve the universe. All-Star Squadron came to an end and replaced with the Young All-Stars title. Infinity, Inc. may have come to a close around the same time as well. 

Roy Thomas re-imagines the origin of the Justice Society of America, post-Crisis. Michael Bair, Bob Downs and Carl Gafford handle the art, with Jean Simek lettering. Mark Waid edits.

The story is pretty much similar to DC Special 29, from 1977. Without Batman, The Flash and Green Lantern head off to Glasgow. Superman does not make an eleventh-hour save. The significant difference is that FDR is in fact killed by a Valkyrie. The Spectre goes into the afterlife to plead for his return to lead the country, nay, even the world through the second great war. That's really the centerpiece of the story. Jim Corrigan pleading for the life of Franklin Delano Roosevelt, and the comparison to Moses that FDR did not survive into the "Promised Land".

What really comes out is that The Spectre and Dr. Fate could easily eliminate Hitler and the Nazi threat, just the two of them. Add Green Lantern, Hourman and possibly The Flash, and the Axis powers might be stopped in its tracks. Hawkman, The Atom and The Sandman are pretty good in hand-to-hand, or espionage agents. Unfortunately, fictional characters, comic book characters can't fix or solve real-world problems. They're stuck fitting into a reality. Which is an explanation for Hitler diverting from invading England. 

It's a great story. Thomas updates it well. Bair's art is thrilling, providing a number of individual character poses. The opening splash page appears somewhat weak, but the end page splash is pretty decent.

Over all, Secret Origins 31, featuring The Secret Origin of The Justice Society of America earns four stars.  

Our Heroes at War; DC Special 29, The Untold Origin of The Justice Society Review

Kudos to Paul Levitz. Thirty-seven years after their first appearance in All-Star Comics 3, Winter 1940, Levitz reveals the secret origin of comics' first superhero team. Their debut appearance was made up of dinner conversation. The team gathered and shared solo adventures. This origin story accomplishes a few things. Primarily, it explains why Hitler did not invade England during World War II. Secondly, it provides an action-packed origin story for the Justice Society, including Superman and Batman. This story takes place prior to Wonder Woman's debut, as well as a number of other Golden-Age heroes.

Levitz establishes that President Roosevelt attempts to keep his promise not to enter the war - unless of course the United States is attacked. That would occur almost a year after these events of November 1940. That's when Agent Smythe carrying an important message from Intrepid, Sir William Stephenson, imploring the Commander-in-Chief to aid the British against the Nazi Reich. FDR's solution is to use "Mystery Men", costumed superheroes - basically civilians - in covert operations.

Smythe contacts Batman, The Flash and Green Lantern and sends them off to Glasgow. Dr. Fate observes as the trio is captured and moved to Hitler's Berlin, where he is about to make an example of them. Fate and Hourman rush to the rescue. Fate also summons The Atom, Hawkman and Sandman. Ultimately, The Spectre and Superman make an appearance. The heroes end up fighting Valkyries. The Atom even saves FDR from a "fatal" Valkyrie blast. He quips that it's impossible to split The Atom. Little do he know...

Joe Staton, Bob Layton and Anthony Tollin pack the punch for Levitz's bombastic script. Bill Morse's lettering is superb - even in newsprint, which is finicky and fickle.

The opening and ending splash pages are a treat. This is definitely for Justice Society and die-hard comic-book-y fans. Readers that enjoy Dr. Fate, The Spectre and Superman fighting Valkyries and Nazis. It's definitely wonky.

As such, The Untold Origin of The Justice Society in DC Special 29 earns five stars.

     
 

The Thrilling Action-Packed Conclusion; JSA: All Stars 8 Review

If DC Comics is about anything, it is about "legacy". The idea that the mantle, the torch is passed down. Jay Garrick, Alan Scott and Carter Hall were heroes of the Golden-Age of Comics. The Flash, Green Lantern and Hawkman. When the Silver-Age was launched, Barry Allen, Hal Jordan and Katar Hol took up the mantle and carried the baton. These three, along with Ted Grant were captured by Legacy first, because they don't have a counterpart in the Justice Society. Their legacy is with the Justice League. Hawkgirl, Dr. Fate, Stargirl, Hourman, Dr. Mid-Nite, and Mr. Terrific are all legacy heroes. They've taken on the mantle and picked up the baton from previous heroes.

So it was that The Spectre told them to prepare and brace themselves to go on the rescue mission. What seems off is that it's obvious that it's not really The Spectre. He's Legacy's captive as well. So, it just seems out of place he would be presenting and narrating each hero's personal journey. 

When the Justice Society regroup at their New York City brownstone headquarters, The Spectre reappears. Just as the team is piecing together important clues. The Spectre stands revealed by Dr. Fate as Legacy, and he whisks them off to another realm, where they find their teammates. Fate and Hawkgirl are able to free the real Spectre, who in turn reveals Legacy's more true identity - The Wizard! In the ensuing battle, he is fighting for survival. Gone and forgotten are the Injustice Gang. Where are they now? 

The Spectre ends the conflict by sending The Wizard to hades, where he will be confronted by the sister he murdered. Condemnation or retribution. Jay, Alan, Carter and Ted are troubled by this fiery fury. Yet they are heartened that they can be inspired by this new generation in turn as they pass on inspiration.

As enjoyable as it is, it's all sort of thin and flimsy. The Wizard's plot kind of floppy. While the pacing of the story is smooth, the motivation seems somewhat forced. It has to happen because it has to happen! Taken separately and individually, the issues are enjoyable, unfortunately they don't really stack up all that well as a whole. Your mileage may vary on that.

JSA: All Stars 8, "And Justice For All" earns three stars.

All's Fair in Love and Hate and Life and Death; JSA: All Stars 7 Review

 

Well this certainly is interesting. Michael Holt, inheritor of the Mr. Terrific moniker is a man without faith. Bored and suicidal, he is confronted by The Spectre, once an agent of wrath and vengeance but now the spirit of redemption. The Spectre tells Holt of Terry Sloane, the original Mr. Terrific. Holt takes up the challenge to equal or surpass Sloane's accomplishments. The reason Holt is lost and faithless is that he lost his wife. He's alone now. He doesn't believe in an afterlife or a future. 

After visiting her grave, Holt is confronted by a pair of DEO agents. He overpowers them. Then he visits Mr. Bones at his DEO office. What ensues is nothing more than a heated argument. What comes out of the argument is that Bones has been aware that Holt's wife was pregnant. Michael didn't know. Now he believes that wherever his wife is, she's not alone. It's a sweet and touching sentiment. Going for the feelz.

This issue is extra-sized. It seems split between Michael Holt and Terry Sloane. 

The second story is not so much about Terry Sloane, or his exploits as Mr. Terrific, but the impact he has on his ne'er-do-well brother, Ned. Brother Ned is a drunk and gambler. Not very successful at either. He's somewhat bitter toward the more ambitious, focused and successful Terry. Until a Christmas party, where Ned encounters a former employee bent on murdering Terry.

There really is very little action. It's more conversation... arguing. Avoiding things until they can't avoid them any longer. Push coming to shove. Still, the only connection among these character profiles in The Spectre. Which is weird, because he's supposed to be captive of Legacy with Jay, Alan, Carter and Ted. There's nothing connecting these stories back to the introduction in the first issue. No mention of the rest of the team. That's the disconnect. Even more odd, this is an extra-sized issue to accommodate a story by fan-favorite and award-winning author Michael Chabon. So, these stories feel more like padding and filler and fluff. As stand-alone stories, they're enjoyable. However, the pretense and pretext that they're pieces of a larger picture just doesn't seem to hold up to basic scrutiny.

JSA: All Stars 7, "Fair Enough" and "The Strange Case of Mr. Terrific and Doctor Nil" earns three stars.   

Right in Front of His Eyes; JSA: All Stars 6 "Out of the Shadows" Review

Geoff Johns and David Goyer seem to be somewhat selective in their memories. The '80's weren't totally terrible. Roy Thomas was doing pretty exciting things with the Justice Society in the pages of All-Star Squadron and Infinity, Inc. Dr. Charles McNider had hung up his special goggles and was replaced as Dr. Mid-Nite by Beth Chapel. Although the name may have caused some confusion. There was the classic Nurse Chapel on Star Trek; and, over in the pages of Spawn and Youngblood, there was a mercenary named Chapel. Still, the gender-bending re-imagining of Dr. Mid-Night wasn't all that bad... unless you're not a fan of flowing, puffy sleeves.

Dr. Mid-Nite may be one of those difficult, challenging characters. He is more unique as a superhero. It's hard to imagine more than one individual in an accident that causes blindness that can only be reversed or cured by corrective lenses... or the unique ability to see clearly in total darkness.

Pieter Cross is a unique individual. He suffers the very same blindness that Charles McNider does!

Cross faces almost the same personal situations that McNider does as well. He returns to his hometown of Portsmouth to reconcile with the family that faced a loss he feels responsible for. Along the way he rescues a pregnant woman from a train accident. And learns a very important personal lesson along the way. It's a great story. Stephen Sadowski and Wade Von Grawbadger provide enjoyable art for the Johns and Goyer story.

The back-up story, "Blind Spot" by Brian Azzarello and Eduardo Risso is just as enjoyable, focusing on McNider's misplaced trust.

Once again, these stories are great character profiles. Still, what seems to be missing is the connection to the first issue. It's vague and unclear what role The Spectre is playing in all this. It's unclear how this story ties in to what's going on with the four - possibly five - captive JSA members. If The Spectre is Legacy's captive along with Jay, Alan, Carter and Ted, how is he able to act as host and narrator to each breakout story? There's an expectation of a thread or a link that isn't there. Which is a disappointing letdown.

JSA: All Stars 6, shining a light on the darkness that Dr. Mid-Nite works in, earns three stars.

He Has All the Time in the World, JSA: All Stars 5 Review

Time.

The Spectre pulls the curtain back on Rick Tyler. Son of the legendary Rex "Tick-Tock" Tyler. Better known to the public at large as Hourman, "The Man of the Hour"! Admittedly, Miraclo is addictive. Like a steroid. Originally, it might have been conceived as a vitamin, an energy pill. However, with addictions growing, and programs like Alcoholics Anonymous among other addiction recovery programs, Miraclo (and perhaps Gingold) becomes more of a taboo. Both Tylers suffer from addiction, not just to Miraclo, but as adrenaline junkies. Hooked on the thrill of adventure and action.

Fortunately, both Rex and Rick have conquered the lust. Or have they?

An interesting development is Rick's flash-forwards - his ability to see events an hour in the future. This precognition, or perhaps foreknowledge comes in pretty handy as a crimefighter. If they weren't so disturbing and painful to witness. 

Adam DeKraker, Prentis Rollins and John Kalisz Provide the spectacle to Johns and Goyer's ongoing character profiles.

"An Hour at a Time" gives Rick Tyler the opportunity to confront his inner demons and face the monkey on his back.

The back-up story, "Conduct Unbecoming" as told by Howard Chaykin is an interesting historical period piece. Funny that Rex would be mistaken for Dr. Mid-Night or Mr. Terrific!

Once again, these stories are fine and enjoyable as stand-alone one-shots. Yet, they continue to fall short by not making any connection to the whole. There's no explanation for The Spectre's narration. There's no connection to the bad guy Legacy or the Injustice Gang. no explanation as to how this will help rescue Jay, Alan, Carter, and Ted. There's no explanation as to how The Spectre is narrating these stories if he's Legacy's captive, too.

JSA: All Stars 5, spotlighting the Hourman legacy earns three stars.

Tales of Time Present, Tales of Times Past; JSA: All Stars 4 "A Star is Born" Review

Here we go again.

The Spectre once again pulls back the curtain, this time on Courtney Whitmore, Stargirl. The latest in the very long Starman line. Thanks to James Robinson, the Starman family tree has many branches and has been very fruitful. Not just Ted Knight, but the departed David Knight, as well as the late Sylvester Pemberton, who was both the Star-Spangled Kid and Skyman, and Courtney's near predecessor Jack Knight.

Geoff Johns and David Goyer's Stargirl story is kind of a bummer. Only because Courtney's biological father is a down-on-his-luck grifter who ends up an F-list henchman for The Royal Flush Gang. He doesn't even get a cool costume. He's not even a high card. He's the "Two of Clubs". Or maybe just Number Two.

It's a pretty simple story. Courtney and Pat head off to Atlantic City. They beat up on The Royal Flush Gang, put Courtney's biological dad behind bars and have a bonding moment. It's pretty cool.

As far as the Starman family goes, this is a treat and delight. Pat and Courtney bond. The story fits into the ongoing "Father-Child" theme that Robinson established with Ted and Jack.

Even better, the back-up story is a Tale of Times Past courtesy of Robinson and Tony Harris spotlighting Ted Knight fighting Nazi spies posing as FBI Agents.

These stories are entertaining as character-profiles. Your mileage may vary, but for fans of James Robinson and Tony Harris, as well as the Ted Knight Starman connection this is definitely a highlight. Still, what's missing is a thread or shred of connection to the main narrative. All well and good, but how does this story fit into rescuing Jay, Alan, Carter, Ted and presumably The Spectre from Legacy and the Injustice Gang? That whole line seems to be forgotten in each one of these stories.

On their own and as a pair, the Stargirl and Starman stories are enjoyable. However, what's missing is the connection these stories have in the series as part of any larger picture. 

JSA: All Stars 4 earns three stars.