A Sign of Weakness?

I've been reading Archie Meets Batman '66. It's billed as "two iconic comic book characters meet up for the first time in this historic crossover!"

Last year, on my birthday, August 17 (my birthday, in case you were wondering) Senior VP/Executive Editor and DC Comics co-publisher Dan DiDio was quoted on ScreenRant.com as to why there won't be (m)any intercompany crossovers between DC Comics and Marvel.

He said, "It's not that we're mortal enemies - it is competition, if you want the truth. It has to be. As we say, 'the more we compete, the better off you are.' It means that we're trying harder to make our books better so you come to our books rather than Marvel books. That's what the competition is all about. Between the two companies, we still are the industry leaders."

Last March 18th, lrmonline picked up the thread, with a quote from Joe Quesada.

I get it. I can down a whole Roma pizza in one sitting. Those things aren't that big. They're like eight slices. So, what he's saying, I think, unless I have my analogies wrong, is an intercompany crossover is like slicing a Roma pizza and sharing it with my three kids. Rather than having the whole pie myself.

I'm a Bronze Age comic book fan. The Bronze Age started in April 1970, when Dennis O'Neal and Neil Adams brought together Green Lantern and Green Arrow in Green Lantern 85.

Didio's comments, and Quesada's response were in response to the much-hyped DC Versus Marvel series from April and May of 1996. The four-issue series match characters like Aquaman and Namor; The Flash and Quicksilver; Batman and Captain America - characters that seemed similar, with similar powers. The match-up were decided by fan votes. The outcome was that Quesada's Marvel beat Didio's DC. Out of eleven match-ups, Marvel won six:  Elektra over Catwoman, Silver Surfer beat Green Lantern Kyle Raynor, Thor outmatched Captain Marvel, Spider-Man defeated Superboy, Wolverine amazingly beat Lobo and Storm overpowered Wonder Woman. By fan votes.

Nobody wants to come out a loser. Especially when the fans voted Marvel over DC. That's not just a loss, that's the sound of one hand clapping.        

The Marvel Versus DC/DC Versus Marvel Amalgam Comics came at a time when both companies needed one another and needed an intercompany crossover. It wasn't like bringing Superman and Spider-Man together; or, Batman and The Incredible Hulk; or, The Uncanny X-Men and The New Teen Titans. Amalgam wasn't for story, or characters or fans. It was about revenue, and monetizing. The industry was down, and the whole Amalgam thing was a gimmick, like variant covers or foil covers to bolster lagging sales and revenue.

I think this is where my pizza analogy comes in.

I'm enjoying Archie Meets Batman '66. I've read a few other crossovers that were pretty good, too. I'm sure you have, too.

Growing up in the Bronze Age, I enjoyed comic book titles like The Brave and the Bold; DC Comics Presents and Marvel Team-Up. I never read Marvel Two-In-One with The Thing, but I've heard it was a pretty cool title. That book came back this year to lead into the return of the Fantastic Four.

The idea of those team-up books was to take strong characters, like Batman, Superman, Spider-Man and The Thing, and use them to lend a little spotlight to lesser known characters. Characters that fans liked but didn't get to see much of. They weren't strong enough to carry their own comic book title.

Right now, outside of team books - which are basically the same concept, just with a larger number of characters - the only thing resembling a team-up is DC's Super Sons. The offspring of Superman and Batman.

 It's kind of a bummer that a crossover can't be seen as bringing strengths together to make an even bigger strength.

I guess when you see a crossover as a need or a weakness, that's how you're going to see them.

Which is a shame.

This is what I like to see.

Creature Comforts From Home VII: Fantastic Four

After wrapping up Starman, James Robinson moved on to other things. He wrote JSA (Justice Society of America) and Hawkman; he wrote Justice League: Cry For Justice; He wrote Batman and Detective Comics; he wrote the War of the Supermen and New Krypton storylines in Superman. He had a brief run on Justice League before The New 52 reboot relaunch in 2011. His League could be described as Justice Titans; it featured Dick (Robin) Grayson as The Batman, Donna (Wonder Girl) Troy as Wonder Woman, Mon-El as Superman, and Supergirl, just to name a few. I picked up a few issues of that, and I enjoyed it. What I would have enjoyed more, is Robinson's take on the original Magnificent Seven. With The New 52 reboot relaunch in 2011, Robinson re-imagined the Golden Age heroes of the Justice Society of America in Earth-2. You may have seen the news that his new Alan Scott was gay.

Robinson left Earth-2 and DC abruptly. He went across the street to the competition, Marvel, where he is now writing and updated The Invaders and Fantastic Four. I still believe that James Robinson has something in common with Roy Thomas. A Golden Age spirit. The Invaders was a World War II team book that Roy Thomas wrote when he was at Marvel in the mid-1970's. Captain America and Bucky, The Human Torch and Toro with Namor, the Sub-Mariner.

 

I'm sure that it is no co-incidence that Robinson was attracted to The Invaders, having worked on The Golden Age four-issue mini-series for DC; then Starman, which spent a great deal of time in the Golden Age; and finally writing both Justice Society and Earth-2. It is probably no co-incidence either that he is working with two teams that have a Human Torch; Jim Hammond, the original, Golden Age Human Torch, and Johnny Storm, Human Torch with the Fantastic Four.

 

Robinson's The Invaders is a little different from what I might have anticipated. It is hard to see these characters updated and contemporary from their wartime adventures. The same was true with the re-imagined Earth-2 heroes. The first story-arc puts these veteran heroes in a cosmic setting; which I would see as more suitable to the Fantastic Four. The Fantastic Four is a more cosmic team. They got their powers from a cosmic event. Reed Richards, Mister Fantastic is a cosmic scientist. He discovered the Negative Zone, which is cosmic. I see The Invaders as more of a Batman and The Outsiders team. Somewhat more political in nature. That might not work these days, it being such a small world. I see The Invaders as the original The A-Team. Only super-heroes.

 

 

I'm leaning more toward really enjoying his run on Fantastic Four. His Starman was about relationships; father-and-son, brothers, family. I believe that makes him a perfect fit for Marvel's First Family. I enjoyed Mark Waid and Mark Weringo's run on the book and their approach to the team as "Imaginauts". So far, Robinson is a few issues into his run and is deconstructing the team to define and rebuild them. As always, I'm interested to see where he is going with things.

 

To get ready for his relaunch, I went to the library and I picked up a copy of Essential Fantastic Four, Volume 1. It is a soft cover trade paperback collecting the first twenty issues, plus the first annual. One of the stories is the often reprinted Fantastic Four #5, featuring the first appearance of Doctor Doom.

 

 

This was re-imagined by Marc Sumerak and Dax Gordine in the All-Ages, Marvel Age Fantastic Four #5. Doom traps the Fantastic Four in the Baxter Building and takes them captive. He then enlists them to go back in time through his Time Platform to bring back Blackbeard's Treasure Chest. And, wackiness ensues. He holds Sue hostage while Reed, Johnny and Ben make the journey into the past. It is one of the greatest Fantastic Four stories by the original creators Jack Kirby and Stan Lee.

 

 

In 1996, around the time Doctor Doom and Reed Richards seemingly died like Sherlock Holmes and Professor Moriarty, Marvel launched a ninety-nine cent comic book line. One of the many titles was Fantastic Four Unplugged. It lasted all of six issues before it was cancelled ended. One of the issues featured Johnny Storm on a date. While on this date he encounters a group of Moloids carrying out an operation for The Mole Man. He is the Fantastic Four's first villain. It is very much a companion piece to the main Fantastic Four book; and, it is also interconnected to other Marvel books. You can't just pick up an issue and jump right into the story without knowing what else is going on in the Marvel Universe. Still, it is a pretty fun story. Except for the stuff that might not make sense unless you already know what's going on.

 

 

Marvel and DC have had a long love-hate relationship. Over the years they have produced some great cross-company team-ups; Superman and Spider-Man and Batman and The Incredible Hulk. In 1996, the two companies came up with DC Versus Marvel. It was a contest with fan involvement to see which characters would best each other. During the course of this and future encounters, the DC and Marvel characters were amalgamated, producing new characters from each publisher. Batman and Wolverine became Dark Claw; Iron Man and Green Lantern became Iron Lantern. The Fantastic Four were combined with the Challengers of the Unknown to become the Challengers of the Fantastic. Doctor Doom was combined with the Superman villain Doomsday to become Doctor Doomsday. The Watcher was melded with the Guardians of the Universe to become Uatu, the Guardian. Galactus and Brainiac became Galactiac. The Silver Surfer and The Back Racer became - you guessed it - The Silver Racer. It was all very '60's Silver Age and fun, in an Elseworlds/What If? alternate reality sort of way.

 

Robinson's Fantastic Four feels grand, epic and serious. At the end of issue #2, Johnny loses his Human Torch powers. The storyline is called "The Fall of the Fantastic Four". It should be interesting to see where Robinson takes the team. The most interesting development is that they are now wearing red uniforms.

 

Kinda like this...

Since my wife, Cathy, and I are building our family through adoption - we are on our third trip to Kiev, bringing home our daughter, Masha - and Marvel's First Family is the Fantastic Four, I brought along the first two issues of James Robinson's Fantastic Four and a couple of other FF comics as creature comforts from home.

 

I can wait to get back home to my favorite run of FF comics -

 

I have the entire 49 issues of Marvel Adventures Fantastic Four. A number of issues were written by Batman '66 writer Jeff Parker. They are all done-in-one stories. They are a lot of fun to re-read! I hope the same is true of Robinson's FF.  

 

 

   

Creature Comforts From Home IV: Teen Titans

@ Copyright 2014 DC Comics' New Teen Titans by George Perez

I was reading on Comic Book Resources the other day, a cover critique by Janelle Asselin, of the new Teen Titans #1 cover by Kenneth Rocafort. The critique exploded all over the internet and social media and broke down along gender lines. Threats were hurled at Janelle over the critique, and even incoming Teen Titans writer Will Pfeifer has shown support for both Asselin and Rocafort, while agreeing to disagree over the critique. What I found interesting in the critique is this-





Janelle Asselin, "Anatomy of a Bad Cover: Teen Titans #1" CBR

There is a growing number of females that either already are or are becoming comic book fans. This seems to be scaring guys that are comic book fans. Because instead of embracing it, guys that are comic book fans are saying, "Awww, no!" I would love it if my wife were as much of a comic book fan as I am. I am very thankful and appreciative though that she at least tolerates it.

It is interesting that there is a statistic to support that females are comic book fans; and, Teen Titans fans!

I am a comic book and science fiction fan. When I say science fiction, I don't necessarily mean Isaac Asimov, Tolkien, or CS Lewis. I grew up on Star Trek reruns. I'm a huge fan of the original Star Wars trilogy. I am not a real big fan of the prequel trilogy. The new J. J. Abrams Star Trek reboot, while thrilling and action packed, still owes a huge debt to the original series. I like Quantum Leap. There are a lot of time travel series; like, The Time Tunnel, Early Edition, Time Trax and Seven Days, but it was Quantum Leap that caught my attention. So much so that I followed the Innovation Comics comic book series and I tracked down all the paperback novels. It's the same for Doctor Who. My wife, Cathy stumbled across Christopher Eccleston's Ninth Doctor reboot on Netflix and suggested I give it a try. She has no interest in watching it, she just thought I would like it. I was hooked... But I really have no interest in going back and watching the previous generations of The Doctor. I imagine that there are Star Trek fans that are like that. Fans of Next Generation, or DS9, or Voyager, or Enterprise, or this new Star Trek that have no desire to watch the original series.

It is interesting to find that Doctor Who, The Hobbit, and Lord of the Rings, Star Wars and Star Trek, Quantum Leap and Teen Titans have fans that are both male and female.

The Silver Age: Teen Titans #1

 

Because I am a Batman fan, and that Robin was leading The Titans, and all the Titans were sidekicks, that's probably what caught my attention. I think I may heave heard or read about The X-Men, but there wasn't any thing about the X-Men that caught my attention until after I'd started reading The New Teen Titans by Marv Wolfman and George Perez. Reading their run, I started to get interested in seeing what had come before. The Bob Haney and Nick Cardy Teen Titans were kind of hokey and corny, but then, most Silver Age comics were. I started reading comics around the mid- to late-'70's. Comics were starting to change in the '70's. So much so that by 1980, when the Teen Titans were re-launched, it was a much different team. The New Teen Titans was a blockbuster book. It was as hot for DC as the X-Men were for Marvel.

 

Untold Tales of Spider-Man #21 guest-starring The Classic X-Men

I stuck with The Titans through the first five years of the book. Around 1985, Wolfman and Perez were doing double duty, producing the monthly Titans book and the landmark, sweeping, line-wide twelve-issue Crisis on Infinite Earths maxi-series. Wolfman stayed with the book for a good long while, but Perez moved on - to re-launch Wonder Woman, following Crisis, I think - and was followed by Tom Grummet and later Jose Luis Garcia-Lopez.

 

The New Teen Titans teamed-up with The Uncanny X-Men to fight the Dark Phoenix and Darksied.

 

If there was one thing I would fault Wolfman and Perez for, it is allowing the Titans to age and mature. Dick Grayson matured beyond being a Boy or even a Teen Wonder. He became Nightwing, in homage to Superman's take on The Dark Knight. Wally West gave up being Kid Flash for a while; and later after his mentor Barry Allen's death during the Crisis, Wally replaced him as The Flash. Donna Troy, Wonder Girl, got married. She later became Troia; then a Darkstar. She and Wally both had complete stories and reached a point that was for them "The End". Aqualad became Tempest. Speedy became Arsenal; and later, Red Arrow.

 

Not too long ago, Amy Wolfram took them all back to a simpler time. When they were kid sidekicks, adventure was fun and grown-ups were a drag.

 

Teen Titans: Year One trade paperback

Teen Titans: Year One was such a fun read. Comic books should be fun. The art is amazing because each one of The Titans looks like a kid. Like they really are twelve of thirteen. They aren't buxom or ripped with muscle. That comes later. As an older teen or young adult. The Teen Titans here are awkward and gawky. Which is fun. I remember being awkward and gawky and totally inappropriate in middle school and early high school.

What I would like to see is a retro-Teen Titans. Instead of a new group of Titans, or a team made up of original Titans and Young Justice members, I'd like to see a group made up of classic sidekicks. This has been tried from time to time, but it never seems to catch on. I'd like to see Sandy, the Golden Boy, Captain Marvel, Jr., Kid Eternity and Merry, The Girl of 1,000 Gimmicks along with Robby Reed as Dial "H" For "Hero" and the updated version of Airwave. That would be cool to see.

I brought The Silver Age: Teen Titans #1 written by Marv Wolfman and penciled by Pat Oliffe; along with Untold Tales of Spider-Man #21 guest-starring The Uncanny X-Men written by Kurt Busiek and also penciled by Pat Oliffe; and Amy Wolfram's Teen Titans: Year One trade paperback collection, penciled by Karl Kerschl. (Kerschl also does The Abominable Charles Christopher webcomic. It's quite trippy. Give it a look.) These three books combine for a simpler time. When comics were fun.

On my trip to Kiev to bring my daughter home, these comics are some creature comforts from home.

First Family Diversity

I read Joseph Philip Illidge's brilliant and insightful breakdown on the casting of Michael B. Jordan as The Human Torch, Johnny Storm in the Fantastic Four film reboot. Apparently, the casting of a black actor to play a white character is creating quite the (wait for it) storm.

I have a couple of opinions about this.

I'm a new dad. I have two sons. They are from India by way of Ukraine. When my wife and I found out that our option to become parents became adoption, one of my best friends pulled me aside and told me not to limit my options. My friend told me not to be hung up on what my kid looked like. When you become a parent, your child is your child. No matter what. It's like any relationship really. You accept all the baggage that comes along with your partner and spouse. You accept your kids. You accept your parents. I love both my boys.

More importantly, I want them to see something of a reflection of themselves around them. Not all heroes look like Harry Potter; or James Bond; or Doctor Who.

Not every villain looks like Darth Vader and has the voice of James Earl Jones.

Idris Elba

Some of them look like actor Idris Elba. He's Heimdall in the Thor films. He was in The Losers, an adaptation of a DC comic book, Prometheus, Pacific Rim and Mandela, among other fine films.

How do you pronounce this guy's name?

Some of them look like Chiwetel Ejiofor, star of Serenity, Salt and Twelve Years A Slave.

Others look like Samuel L. Jackson, not to be confused EVER with Laurence Fishburne.

You don't ever want to confuse Nick Fury with Morpheus.

So, as a dad, I want my kids to see something of themselves in the entertainment they enjoy. Just like when I was a kid, I identified with Peter Parker.

Now, as a comic book fan, it is always cool to see what I enjoy in comic books show up on television or in movies. I know that reading a comic book is a different kind of experience from watching a television show or a movie. It is amazing to look back on the comic books I've enjoyed growing up as a kid, and seeing just how white they are. I'm embarrassed that one issue of Justice League of America pretty much hazes Black Lightning under the guise of recruiting him.

Until the Justice League animated series debuted on Cartoon Network with John Stewart as Green Lantern, the team was pretty much WASPy. But then, so was every other comic book team or character. minorities have always been subordinate.

What Illidge points out, is that Nick Fury was re-imagined as black, and based on Samuel L. Jackson in The Ultimates, and then Samuel L. Jackson played Nick Fury on film. Remember when David Hasselhoff played Nick Fury. No? No one does, so don't worry.

The Fantastic Four has been re-introduced to new fans a number of times. As Illidge again points out, when Ultimate Nick Fury was introduced as Samuel L. Jackson, Ultimate Fantastic Four introduced yet another white quartet. Fantastic Four was re-introduced previously as "Heroes Reborn"; and twelve months later as "Heroes Return". There have been several all-ages iterations of the team. None of them introduced any diversity to Marvel's First Family.

Why don't we do that here?

As a new dad and a comic book fan, here's what I would like to see:

Corbin Bleu, from Catch That Kid, Jump In and the High School Musical trilogy as the brilliant genius leader Reed Richards. I want my kids to see that intelligence and brains are color-blind. Any one can be the guy that comes in and saves the day with the right gadget he just MacGuyvered. Most of the people responsible for creating comic books were adult white males. So what did they create? "Mary Sues". They created reflections of themselves. The reality is they saw a white world so they created one in comics.

  
High School Musical trilogy alum Vanessa Hudgens as Reed's girlfriend, and future wife, Sue Storm. She's the glue that holds Reed, Ben and her brother Johnny together. Remember those adult white males that created comic books? Not only did they not see a racially diverse world, they didn't any diversity in gender. There are either characters like Wonder Woman or She-Hulk, or what Sue originally started out as: window dressing. In the early issues of Fantastic Four Sue actually pined for Namor, the Sub-Mariner. Over time she's been developed into more of a working mother, kind of reflective of the real world around her.

I would not cast Michael B. Jordan as Johnny Storm. Let me tell you why. I can't see the rash, impulsive member of the Fantastic Four as black. To me, that's stereotypical. Let's make the "hothead" black. Either he'll be like Will Smith, Martin Lawrence, Chris Rock, Kevin Hart or Chris Tucker - you get the point, right? Or, he'll be mature, straight forward and serious, which won't work either. I would go Victorious, Rags, and Spectacular actor Avan Jogia. Why? Because Sue and Johnny are siblings. Brother and sister. Kate Mara and Michael B. Jordan could work as brother and sister. Mixed race parents. Adoption. Whatever. Avan Jogia and Vanessa Hudgens make sense as family. The Fantastic Four is about family. I know from experience that you can build a family; you can blend a family. That's what the First Family is all about: family.

Ben Grimm is just as important a character as the rest of the Fantastic Four. I liked the chemistry between Chris Evans' Johnny and Michael Chiklis' Ben. I'm not sure a guy like Dave Batista would fit with such a young group, but I do think that Ben needs some bulk; some build. If not Batista, then another WWE figure. Or, some one that can bulk up and put on some guns as Ben, so The Thing isn't such a drastic transformation. I would think that if any thing, Ben Grimm should be white, and Jewish like he is in the comic books. Ben should be the "token" white guy.

James Robinson and Leonard Kirk relaunch Fantastic Four with a new #1 issue on Wednesday. Jack Kirby and Stan Lee originally launched the team with a #1 in November of 1961. A lot has changed in 53 years, and yet, not much. As both a dad and a comic book fan, I think it is time comics reflected some things, like diversity. I want my boys to see that they can become any thing they want. The only way they can see that is if they do see it.

Change can be a good thing.
        

   

All-New Invaders...?

I enjoy James Robinson's writing.  I just picked up the first two issues of All-New Invaders that he's written. I like The Invaders. Captain America and Bucky, The Human Torch and Toro and Namor, The Sub-Mariner. These five heroes fighting the Axis in World War II. After Batman and Spider-Man had introduced me to comic books, I started reading "history" through The Invaders and found I enjoyed World War II stories. That was the '70's. In the '80's, I followed Invaders writer Roy Thomas over to DC where he wrote All-Star Squadron, which was about every Golden-Age DC character together during World War II. In the '90's Robinson picked up where Thomas left off with his mini-series The Golden Age, Starman and Justice Society of America. Robinson built up so much on the foundation that Thomas laid.

I am cautious not to use the word "fan". As much as I would like to say that I am a "fan", I'm more likely to pause, take a deep breath and confess that I like both Robinson's and Thomas' writing. I once said I was a fan, when I was a boy in school and it was pointed out to me that I wasn't much of a fan because I didn't have the bed-sheets to prove it. I've always had a limit to my obsession, where others have gone the whole nine yards with either cos-play or a tattoo.    

I put James Robinson alongside New Teen Titans writer, Marv Wolfman; Kurt Busiek, known for Marvels, Astro City and Untold Tales of Spider-Man; Kingdom Come, The Flash and Fantastic Four writer Mark Waid; and, Paul Dini, who with Bruce Timm created the DC animated universe starting with Batman, then Superman and finally the Justice League. Dini then collaborated with artist Alex Ross to create a rich Bronze Age tribute through a number of stand-alone over-size graphic novels, Peace on Earth, War on Crime, Power of Hope, Spirit of Truth, JLA: Secret Origins and JLA: Liberty and Justice. I like reading these five writers. I put them together, and I would group them with Stephen King, Michael Crichton, Peter David - as a Star Trek novelist - Eoin Colfer, creator of Artemis Fowl; and Kinsey Millhone creator Sue Grafton.

When I say that there is a limit to my obsession, that means that there is a point where I draw a line. I like Marv Wolfman for his work on New Teen Titans. I'm not sure I would pick up anything else he's written. James Robinson has a unique voice as a writer when it comes to The Golden Age of comic books. But, I was never compelled to pick up his Superman or Action Comics. I read his Justice League: Cry For Justice and felt a little disappointed. When he took over from the late Dwayne McDuffie on the regular monthly Justice League, I wanted to like it. Unfortunately, it was a hybrid of the Justice League and Teen Titans; it was a Justice Titans. Dick Grayson had taken over as Batman; Diana Prince's younger sister Donna Troy was Wonder Woman; Mon-El was standing in for Superman along with Supergirl. I really wanted to like it. I still do.

That's the feeling I'm having after two issues of All-New Invaders. I want to like it. It's the characters I enjoy by the writer I enjoy. It just doesn't feel like a story I'd enjoy.

What Robinson has done is pretty similar to what he was doing on Earth-2 before he left DC. DC launched a reboot of it's entire comic book like branded The New 52. Robinson was re-imagining the Justice Society. As newer, younger characters. With no connection at all to World War II. Instead, the team came together in the wake and aftermath of a cosmic event involving Jack Kirby's New God's and Darkseid. Robinson left Earth-2 with issue #16, and now launches both All-New Invaders and Fantastic Four.

Here's what I'm thinking. Both teams have a Human Torch. Jim Hammond is the original Human Torch; Johnny Storm is the modern age version. I'm wondering if Robinson is planning an Invaders-Fantastic Four team-up crossover. I wouldn't be surprised. The first two issues of the new Invaders comic are cosmic in nature. An alien race called the Kree have come to Earth in search of something called God's Whisper. The Invaders dismantled it and hid the pieces to keep it from ever being used. They first encountered God's Whisper fighting Hela, during World War II.  It's a bit of a stretch, but that doesn't seem to fit the team. The most common Invaders stories have been against Axis despots. Like The Red Skull or Baron Blood. Now they are fighting aliens. That seems more within the Fantastic Four's wheelhouse. The Fantastic Four are more cosmic in nature.

I have to admit, I haven't read The Invaders since the '70's. The team was brought back not to long ago in an Avengers/Invaders team-up, and an Invaders Now! series.

I'm wondering why James Robinson is writing The Invaders like they are the Fantastic Four. Because, I'd like to see them fighting bad guys like the ones they faced before. Like The Red Skull, Baron Zemo, Von Strucker, or maybe Doctor Doom. They could be working with aliens. The Invaders are more soldiers. I have a hard time seeing soldiers fighting aliens. 

A Long Time Ago...

 
Surprising no one really, Disney announced that it would be reacquiring the license to produce Star Wars comic books under the Marvel imprint. Like Jim Henson's Muppets, The House of Mouse owns both Marvel Comics and George Lucas' Star Wars brands. it wasn't so much a question of if, but of when. After two decades of Star Wars comics published by Dark Horse, Star Wars will be back at Marvel starting in 2015, the year that Star Wars: Episode VII is due in theaters. Dark Horse released a statement on the loss of the license; and Star Wars editor Randy Stradley pointed out that there was a bright side for Dark Horse in losing the license to Disney/Marvel after two decades of producing Star Wars comics.

Fan-favorite comic book writer Peter David, creator of the Star Trek: New Frontier series, has been very open about the challenges he faced dealing with Paramount while writing an ongoing monthly Star Trek comic book for DC Comics - in between films. How the process works is pretty simple, a writer is basically bound by the rules and parameters set up by the storyline of the film. David found this quite challenging in coming  up with fresh, new storylines, plots and characters. Dark Horse Star Wars editor Stradley acknowledges that along with the much anticipated Episode VII, Disney will also have a new television  series. Stradley says that, "it is likely that there will be a lot of comics pages devoted to adaptations and direct spin-off stories in support of the films and TV shows." He admits that he is not interested in that.

Star Wars, like Superman, launch an entire genre. In 1938, Superman ushered in an age of super-hero comic books. In 1976, Star Wars not only revitalized the science fiction film genre, but rebooted the sci-fi comic book. Flash Gordon may have been a fine film series for Buster Crabbe; but Buck Rogers started out as a newspaper strip, and John Carter of Mars came from the same author as Tarzan, the Ape Man. The sci-fi genre was propped up by films like 2001: A Space Odyssey, Forbidden Planet, Logan's Run; and television series like Star Trek, The Outer Limits, The Twilight Zone, Lost In Space and Logan's Run. Authors like Isaac Asmov, Arthur C. Clarke and Robert Heinlein had given us stars to aspire to.

And then, along came George Lucas with his Space Western, Star Wars.

This is what Marvel Star Wars Comics looked like in the late '70's. This, and this.

Star Wars was a boom. Marvel's adaptation of Logan's Run only ran for seven issues. Marvel's Star Trek lasted only eighteen issues. Marvel's adaptation of Battlestar Galactica only ran for twenty-three issues. Marvel did a single giant issue tie-in to the Buck Rogers television series, itself a small screen adaptation of the film. Star Wars, at Marvel, last for 107 issues and two years beyond the 1983 release of Return of the Jedi. The comic book lasted longer than any other contemporary science fiction comic book. It lasted two years past "The End" of the first trilogy. Originally adapting the first film to launch the title, Marvel opted to adapt The Empire Strikes Back in the pages of Star Wars, but spun off Return of the Jedi as a four-issue mini-series apart from the main book.

The challenges that face any writer involved with a property like Star Wars, or any film adaptation, is that primarily the writer is playing with someone else's toys. Second a writer's boundaries and parameters are very narrow. With Star Wars the only film out, at a time before the internet, or home video for that matter, the question of Where to go from here? is not as big and wide open as one might think. Considering that a writer is working almost parallel and at cross-purposes to a screenwriter and franchise development. Peter David has shared a number of horror stories of his dealings with Paramount of what ground he could cover as a Star Trek writer.

Stradley admits that 2015 is going to be a great year to be a fan - a new fan - of Star Wars; with a new film franchise launching, a new television series starting, and new tie-in comics coming from Marvel comics. 2015 is going to be a great "jumping on point" for new fans.

This was my Star Wars. By Carmine Infantino. He was involved in creating one of the most popular characters in comics. Police Scientist Barry Allen, who became The Flash.

In the late '70's. From Marvel.

This is my Star Wars re-imagined years later at Dark Horse Comics by Dave Dorman.

 

Hopefully, the writing and art of new Star Wars comics at Marvel will reflect the high production values that fans will enjoy in the new Disney films and television series.

Meanwhile, I will sit back and enjoy my trade paperback and omnibus collections from a long time ago, in a galaxy far, far away...